^
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Fonts

Weight

  • Ultra Thin
  • Thin
  • Ultra Light
  • Extra Light
  • Light
  • Lite
  • Book
  • Normal
  • Regular
  • Medium
  • Demi Bold
  • Semi Bold
  • Bold
  • Black
  • Heavy
  • Ultra
  • Ultra Bold
  • Extra Bold

NormalWidths

  • Extended
  • Wide
  • Normal
  • Condensed
  • Extra Condensed
  • Compressed
0.0

Amira

The cross between calligraphy and sans serif is rare, inhabiting territory between Hermann Zapf’s Optima, classical sans structure with a calligraphic spirit, and Warren Chappell’s Lydian, classical calligraphy without serifs. Cyrus Highsmith claims adventurous new ground with Amira, a letterform that pops from the page with an angled vitality. Amira both welcomes and surprises readers with bright new rhythms and texture.

Amira Black
Amira Black Italic
Amira Bold
Amira Bold Italic
Amira Semi Bold
Amira Semi Bold Italic
Amira Regular
Amira Regular Italic
Amira Light
Amira Light Italic
Abc123

Letters

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Á
Â
Ä
À
Å
Ã
Æ
Ç
Ð
É
Ê
Ë
È
Í
Î
Ï
Ì
Ł
Ñ
Ó
Ô
Ö
Ò
Ø
Õ
Œ
Þ
Š
Ú
Û
Ü
Ù
Ý
Ÿ
Ž
á
â
ä
à
å
ã
æ
ç
ð
é
ê
ë
è
ı
í
î
ï
ì
ł
ñ
ó
ô
ö
ò
ø
õ
œ
þ
š
ß
ú
û
ü
ù
ý
ÿ
ž

Numbers

0
1
2
3
4
5
6
7
8
9
¹
²
³
¹
²
³
½
¼
¾

Punctuation and Symbols

.
,
:
;
!
¡
?
¿
·
*
#
/
\
(
)
{
}
[
]
-
_
«
»
"
'
¤
¢
$
ƒ
£
¥
+
×
÷
=
>
<
~
%
|
@
&
ª
º
^
§
©
®
°
¦

Ligatures

ff
fi
fj
fl
ft
ffi
ffl

Fonts